Cast: Fatima Sana Shaikh, Chitrangada Singh, Arshad Warsi, Pratik Gandhi, Ranveer Brar, Masaba Gupta, Ritwik Bhowmik, Yeo Yann Yann, Meiyang Chang, Naseeruddin Shah, Wamiqa Gabbi, Bhupendra Jadawat, Dilip Prabhavalkar, Tanuja, Sarika, Danesh Razvi, Prateik Babbar, Aadar Malik, Dolly Singh
Director: Shonali Bose, Hansal Mehta, Vishal Bhardwaj, Alankrita Shrivastava, Dhruv Sehgal, Nupur Asthana
Rating: Three and a half stars (out of 5)
A compilation of charmingly cock-eyed takes on longing and loss, assertion and give up, which keep away from the traditional trajectories of display screen romance, Amazon Prime Video’s Modern Love Mumbai presents six energetic tales of life slightly than mere love tales.
The quick movies, every about 40 minutes lengthy, observe women and men navigating issues of the guts and the spirit in a bustling megapolis the place on daily basis springs a shock or two, typically nice, at others disorienting.
The Mumbai model of the American collection Modern Love (two seasons of eight episodes every created by John Carney based mostly on weekly private columns in The New York Times), has half a dozen Mumbai administrators – there males and three girls – decoding life and its vicissitudes within the metropolis they stay and work in.
The present, produced by Pritish Nandy Communications, has Vishal Bhardwaj, Hansal Mehta, Nupur Asthana, Shonali Bose, Alankrita Shrivastava and Dhruv Sehgal placing their inventive shoulders to the wheel and crusing by way of with distinction.
No matter what the gender of the director is or what the important tilt of every story is, it’s the girls, each the fictional characters and the performers who painting them, who make Modern Love Mumbai worthwhile.
Fatima Sana Shaikh (within the fifth movie, Raat Rani, helmed by Shonali Bose) leads the cost with astounding vitality and aptitude. The remaining principal feminine actors on the display screen, notably Yeo Yann Yann, Sarika and Tanuja, one pretty much as good as the opposite, use refined strokes to etch out multi-layered, intriguing people. They carry to the desk variations of emotion and impulse which can be simple to narrate to however are something however facile.
A middle-aged lady attracts a a lot youthful man within the first of the shorts, Alankrita Shrivastava’s My Beautiful Wrinkles. A diffident panorama designer appears for stability as she flits from one random date to a different within the third story – Dhruv Sehgal’s I Love Thane. A married author struggles to complete her debut novel as family chores and a callously inattentive husband weigh her down in Nupur Asthana’s Cutting Chai, the ultimate movie.
Modern Love Mumbai, even when a chapter has a person at its centre just like the one helmed by Hansal Mehta (the title is Baai, and that claims all of it), is principally about girls thirsting for fulfilment or struggling to know a second likelihood.
In Shrivastava’s My Beautiful Wrinkles, written by the director herself, sexagenarian Dilbar Sodhi (Sarika) develops a bond with an introverted Kunal (Danesh Razvi), who finds job interviews exceedingly troublesome to crack. The girl steps in to assist him tide over the issue. The seemingly innocuous relationship takes a critical flip. It throws Dilbar off steadiness
The power of this straightforward story stems from the lightness of the therapy. Sarika is completely forged. The actress has been appearing for the reason that late Sixties. Her pivotal presence in a brand new age interpretation of affection that defies a yawning age distinction is full of potentialities. Sarika brings Dilbar alive in a quiet, assured, easy method.
Baai, directed by Hansal Mehta, guides love in a totally totally different route – in reality in two totally different instructions. One centres on a crooner Manzar Ali (Pratik Gandhi) whose sexual orientation precipitates an inevitable conflict along with his conservative dad and mom (Talat Aziz and Mansi Joshi Roy) and pushes him in direction of Manhattan chef Rajveer (performed by real-life chef Ranveer Brar in his first appearing task).
The different is Manzar’s deep, unalloyed love for his grandmother (Tanuja, an old-timer who has misplaced none of her allure), a girl famed as a lot for her braveness within the face of adversity as for her distinctive culinary expertise. Revealing his ‘secret’ to the lady who he dotes on is a problem for Manzar. It kinds the crux of Baai.
A homosexual love story embedded in a delicate, eloquent portrait of a Muslim household in a nation that has suffered a violent Partition, and in a metropolis that has seen horrible communal rioting in newer instances, Baai is embellished with some soulful songs, not the least of which is the delectable Kaisi baatein karte ho, composed by Jeet Gannguli and sung by Sonu Nigam.
Director and co-writer Hansal Mehta extracts flawless performances from the tw0 principal actors – Tanuja and Pratik Gandhi. Ranveer Brar steps into a brand new area with out exhibiting any indicators of pressure.
I Love Thane, directed by Dhruv Sehgal and tailored by him and Nupur Pai, begins within the coronary heart of Mumbai earlier than veering away to a distant suburb. There, an unlikely relationship blossoms between 34-year-old Mumbai panorama designer Saiba (Masaba Gupta), exasperated with males who give her no hope of discovering a sustainable soulmate, and a self-effacing however sorted Parth (Ritwik Bhowmik), a Thane municipality audit official assigned to supervise a brand new park challenge the previous has been employed for.
A story of in contrast to poles attracting one another, I Love Thane doesn’t hinge on any grandstanding or demonstrative gestures. It wends its approach ahead on the again of mild conversations that don’t sound like only a entire lot of phrases. Saiba and Parth are embodiments of two ends of a metropolitan area that meet seeking frequent floor.
Masaba Gupta, as an unbiased lady grappling with “self-doubt and humiliation”, is completely plausible. Ritwik Bhowmik’s unassuming man who’s at peace with Thane as a result of the place lets him be, conjures up an affecting portrait of endearing ordinariness.
Baai has granny’s nihari and qorma, I Love Thane has Parth’s love for good outdated misal pav. Food is on the centre of Vishal Bhardwaj’s delightfully vibrant Mumbai Dragon, too. The movie is written by the director and Jyotsna Hariharan and led admirably by Malaysian actress Yao Yann Yann, the star of Singaporean auteur Anthony Chen’s Ilo Ilo and Wet Season.
Sui Mei is one other weather-beaten lady who can rustle up a imply candy corn soup – a household speciality – and make noodles and dim sums to die for, is mighty miffed when her son Ming (Meiyang Chang) gravitates in direction of Gujarati woman Megha Patel (Wamiqa Gabbi), who doesn’t contact garlic, not to mention eat any meat. Sui, a true-blue carnivore, is pressured to rustle up stir-fried eggplants for her.
Sui’s confidant, Patiala native Pappi (Naseeruddin Shah), tries to persuade her to budge however her son, a struggling Bollywood singer ready for a giant break, could have nothing of his mother’s psychological block. The quirks of a mother-son no-holds-barred struggle – it additionally entails a conflict between Hindi and Cantonese – are articulated vividly by the 2 actors, with Naseeruddin Shah and Wamiqa Gabbi offering help that enhances the attraction of the story.
Vishal Bhardwaj’s lyrics and music yield a gorgeous love ditty Raat bhar hijr mein, rendered fantastically by Meiyang Chang – one of many excessive factors of a studded-with-delights episode.
The vitality of Modern Love Mumbai shoots up a number of notches in Shonali Bose’s Raat Rani, a couple of voluble Kashmiri migrant lady Lali (Fatima Sana Shaikh) who should fend for herself when her husband and his scooter desert her with out warning.
An deserted bicycle and a modest dwelling in a slum are all that Lali has left. The lead actress pulls out the stops in taking part in a girl who goes from feckless to feisty, using a bicycle, coping with a flyover in her path and studying to take pleasure in her favorite flavour of ice-cream by herself. Raat Rani, written by Nilesh Maniyar and John Belanger, is a story of empowerment that doesn’t really feel like a normal story of empowerment.
The remaining story, Nupur Asthana’s Cutting Chai, written by Devika Bhagat, is a subdued relationship drama that has Chitrangda Singh and Arshad Warsi engaged in a battle of the sexes inside a wedding that has drifted into soul-crushing drudgery for the lady.
Latika, an aspiring author who desires to complete her first novel however is thwarted by her marital obligations unthinkingly thrust upon her by Danny (Warsi), her resort F&B executive-husband and recurring latecomer. This story of a love gone chilly gives an added dimension to the compilation.
Modern Love Mumbai is straightforward on the attention and the thoughts as a result of the writing throughout the six tales, just like the inexperienced lung that Saiba and Parth attempt to create in I Love Thane, permits sufficient room for the characters to breathe.